The last step before a piece of tunes is published is called the mastering phase. Before going to production any sonic or technical details need to be looked at.
As you prepare your songs for this final process here are some things to remember.
The mastering studio session will be largely determined by the quality of the phases of your production efforts. This includes things like the types of sounds used, arrangement and the mixdown itself.
Your kick and bassline are two major components of the mix, especially in dance tunes, that will have an effect on the mastering. You'll want to make sure these work together and not against each other.
If you don't get them working together then there will be a clash of frequencies which will be tricky for the MASTERING ENGINEER to fix.
If the ME provides good service then he will hopefully ask you to resolve this kind of challenge first before proceeding. Some however won't which means even with some enhancement the master will not be as of high quality as it can.
Arrangement tips are another way to tackle this kind of challenge. For instance don't put too many competing sounds on at at one time in the song. What this accomplishes is to simply let the sounds have some room to breath from each other.
Once again a great master comes from a great mix and these methods focus on that.
Getting the levels fix along with any eqing and compression are of course also significant. Preferably the master will just bring up the overall level and strengthen the mix which should already be sounding very good.
How To Choose A Mastering Engineer
Choosing a excellent mastering engineer is now the next phase after your mix is sounding good.
Finding a good one can be just as tough as getting the rest of the mix right but here's some tricks on what to look for.
Experience is one of the main aspects you'll want to take into account when checking out different studios including the type of tunes they've worked on. If they concentrate in that particular type of genre that can also be a plus.
The type and quality of clients they've dealt with in the past is another potential indication. If the MASTERING ENGINEER you're looking at has only worked with lesser known artists that might be a bad indication. In comparison if they have dealt with high profile clients and artists then this means you can probably trust their skills.
Take a look at the types of prices they are asking for too. If someone is doing mastering for cut rate prices it might mean they are doing less quality work as well.
And finally look at the equipment they are using. If they are just running software from a small home studio this might not give as good results as someone who has higher end analogue processing.